After more than 25 years creating works through drawings, brushstrokes with oils and watercolors, I had the immense honor of receiving as a legacy of past times a significant amount of Pure Mineral Pigments of more than 150 years . It was a gift from the descendant of a family of wool dyers from Morella. That was in 2014, from that moment on, and fascinated by the horizon of experimentation and creative possibilities that opened up before me, I dedicated myself to studying in depth the ancestral techniques used by the great artists in history to create their works and experimenting with new paths. creative.

Since then I only work with oxides of copper, bronze and other metals, binding with chicken eggs and beeswax, among other materials on different supports such as recycled food plastic; bringing to the present those ancestral techniques and innovating in a non-toxic and sustainable way.

In the following sections I will tell you a little more about this and I also invite you to see my creative process step by step in the attached video.

  • Techniques

    Fat tempera with chicken eggs, Encaustic with natural beeswax, Oil with virgin vegetable oils, Japanese Gouache, Mixed Techniques resins, water and natural latex through spatulas, brushes, hands, heat and cold and hot welding are the techniques that I have been using since I received the pigments and also began to sculpt food plastics that play with color and light.

    You can see some of my works created like this in the video WORKS.

  • Pure Mineral Pigments

    My pure mineral pigments have light and color consistency that lasts over time, as the oldest works in history have done. Alchemy is created before my eyes in each new work as they react among themselves and also with the materials with which I bind them.

    Among others, I use pigments of Copper, Bronze, and other metals. Also Earth, Sulfur and other toxic oxides , which by binding them with pure materials and sealing them with natural latex or beeswax, are transformed into non-toxic and sustainable works.

  • supports

    Pure cotton fabric , artisan cotton paper with beard and maximum grammage, recycled food plastic , chicken coop cloth , recycled CD'Ss and sculpted with heat , river stone , solid iron , wooden boards and the light that unites everything are the supports on which I create my pieces, both in painting and sculpture. And I continue to investigate and experiment with new possibilities for sustainable recycling...

Follow my creative process step by step in this video